Curator;sComment:(USA)

This is a very intense, probing mixed media work.    
The exquisite combination of oil paint and digital media
are fluidly connected by tone, muted color, andgesturalmark
-marking.  I perceive the piece as a cohesive drawing in  
its    entirety; the linear elements bring me through
a series of events and darkened passageways.  Thestrong  value pattern gives anoverallsenseofforebodingthat 
builds through the compartmentalizated narrative.  I read 
the piece in sequential panels.  It seems as through the 
succession of the three stepped images at the 
topculminate into an open air the atrical stage in the large
final bottom section.  The slightly skewed enclosures 
remain open at the top, giving the viewer a voyeuristic 
vantage point to the scene in which tiny figures move 
through and illuminate the maze-like set.  Dramatic lighting
seems critical to the understanding of the piece- which 
also heightens the mood of the unspecified encounters.  
The figures attempt to illuminate the space with handheld 
lights, appearing to be searching. Indeed, the viewer is in a similar predicament, exploring clandestine imagery and 
spotlights on lonely platforms.  We are pulled into the space
and experience the allure of the forlorn and lost.



TOP Page
match label, 1930−

Use slider
時代は追いかけてはならない。次の時代に

何が来るかということを先読みして仕掛け、

そして時代が追いついてくるのを待つことが

必要です.

孫正義

Your most unhappy customers
are your greatest source of learning.
(Bill Gates)

HIROYUKI MIYAZAKI OFFICIAL SITE


 






                                                                                                               




THE 2nd BANGKOK TRIENNALE INTERNATIONAL PRINT AND DRAWING EXHIBITION    (Thailand)(Purchase prize)          Hiroyuki Miyazaki





departure-in-the-midnight
   

 NEW NATIONAL MUSEUM  IN JAPAN         F150                                                                     ( F150) Hiroyuki Miyazaki








Contemporary Review of Fine Art Print making (Italy)








New National Museum inJapan      Technique: OilPainting,Digital print on canvas  Size: F150        Hiroyuki Miyazaki








Still Life 2003    Chiba prefectual Museum (TravelExhibition)                           Hiroyuki Miyazaki








Tokyo Cosmopolitan Museum      Oil painting  F150                                                           Hiroyuki Miyazaki










Past days     oil painting, digital print on canvas                                                           F50   Hiroyuki Miyazaki











Two ways          ICON DATA 2008 (CRACOW INTER NATIONAL TRIENNALE)             Hiroyuki Miyazaki









ICON DATA 2009    CRACOW INTERNATIONAL PRINT TRIENNALE)                                           Hiroyuki Miyazaki









The bottom of the sea                                       Hiroyuki Miyazaki








DS&DIVI SHOW STUDIO&GALLERY SPRING TOP 30 (MEXICO)
REALM OF STRATUM ( Legend of jewel )                                        Hiroyuki Miyazaki



















F150 (2273x1818mm)                                                                                           2012   Hiroyuki  Miyazaki